Danish 1804-1880 Constantin Hansen Galleries Danish painter. In 1816 he entered the Kongelige Akademi for de Sk?nne Kunster, Copenhagen, intending to study architecture; however he later became attracted to painting and worked under C. W. Eckersberg from 1828 to 1833. Around the middle of the 1820s he started developing an individual style of portraiture, which had matured by 1830. He often used his sisters and friends as models; using simple costumes, poses and compositions, he managed to endow his pictures with the intimacy and warmth that mark the Danish Golden Age. The Artist's Sisters Signe and Henriette Reading a Book (1826; Copenhagen, Stat. Mus. Kst) is a fine example of his combination of natural observation with Neo-classical idealization. Under Eckersberg, who encouraged both, he strengthened his natural flair for painting serene architectural views of Copenhagen.  Related Paintings of Constantin Hansen :. | The Artist-s Sisters | Kronborg Castle | A Group of Danish Artists in Rome | Hvilende Model | Portrait of Caroline Sophie Moller |
Related Artists:
PYNAS, Jacob
Dutch Baroque Era Painter, ca.1585-1650
Hesselius Gustavus
American portrait painter. 1682-1755 He was trained in Sweden as a wood-engraver, gilder and painter. In 1712 he accompanied his brother, a Lutheran pastor, to America, where he settled in Philadelphia, PA. About 1720 he moved to the Annapolis, MD, area, returning before 1730 to Philadelphia, where he lived until his death. He was one of the first European-trained painters to settle permanently in America and introduced a greater technical skill and increased realism into Colonial painting. His painterly, atmospheric style, which derived from European Baroque, contrasted with the more linear technique of American-born painters. During most of his career he was the leading painter of the Middle Colonies. In addition to mythological scenes, altarpieces and portraits of prominent individuals, Hesselius undertook utilitarian work that included painting the country seat at Springettsbury of Thomas Penn (1702-75) and the interior of the Pennsylvania State House, as well as flower-boxes,
Claude Joseph Vernet
Claude-Joseph Vernet (14 August 1714 - 3 December 1789) was a French painter. His son, Antoine Charles Horace Vernet, was also a painter. Vernet was born in Avignon. When only fourteen years of age he aided his father, Antoine Vernet (1689-1753),[1] a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet started for Rome. The sight of the sea at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studio of a marine painter, Bernardino Fergioni. Slowly Vernet attracted notice in the artistic milieu of Rome. With a certain conventionality in design, proper to his day, he allied the results of constant and honest observation of natural effects of atmosphere, which he rendered with unusual pictorial art. Perhaps no painter of landscapes or sea-pieces has ever made the human figure so completely a part of the scene depicted or so important a factor in his design. In this respect he was heavily influenced by Giovanni Paolo Panini, whom he probably met and worked with in Rome. Vernet's work draws on natural themes, but in a way that is neither sentimental or emotive. The overall effect of his style is wholly decorative.[2] "Others may know better", he said, with just pride, "how to paint the sky, the earth, the ocean; no one knows better than I how to paint a picture". His style remained relatively static throughout his life. His works' attentiveness to atmospheric effects is combined with a sense of harmony that is reminiscent of Claude Lorrain.